In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.

Bremen 1974: Siggi Thieme, 22, is in a hurry to leave the typing pool where she works as a secretary: she has to go for a job interview. Her dream is to become a detective inspector. The law has finally lifted the barrier that prevented her from entering this profession. She hasn't told her family or her fiancé Jürgen about her application because she rightly fears a headwind.

Bremen 1974: Siggi Thieme, 22, is in a hurry to leave the typing pool where she works as a secretary: she has to go for a job interview. Her dream is to become a detective inspector. The law has finally lifted the barrier that prevented her from entering this profession. She hasn't told her family or her fiancé Jürgen about her application because she rightly fears a headwind.

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Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

Filmmaker Todd Haynes talks about Max Ophuls' 1952 film Le Plaisir.

A parcel carrier who has nothing to do with Christmas accidentally crosses paths with a petty thief and a mysterious little boy who doesn't speak. Nelly is stunned when Filou Sonny steals two bottles of whiskey and a vintage car from the petrol station where she has a second job. Nick, who suddenly appears between the shelves and doesn't say a word, distracts Nelly during the theft. Since she has to assume that Nick is Sonny's accomplice, she grabs the boy and takes him with her on the chase, receiving support from the elderly cab driver Gesine, who had just filled up her car at the gas station. When Nelly discovers the stolen vintage car by chance outside a villa, she sends Gesine back and asks her to look after the filling station while she is away.

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